Professionals experienced in teamwork will probably already be familiar with the following. But what about everyone else who, after initial successes, approaches projects that involve real money and real customers? Mistakes in the workflow and the need to fix them can push your real hourly wage well below the minimum promised by your government, not to mention the loss of your first important client.
Review: In DP 05 : 2013 we learnt Klingon: "Cut with Avid" is called "Maljaʼ tayʼ Avid". J. J. Abrams made the sequel to the reboot - could Starship Enterprise nostalgics and blockbuster fans be satisfied at the same time?
Non-linear video editing with computers (NLE for short) has given us enormous freedom. Not only the fiddling with adhesive presses and cotton gloves, synchronised tape machines or even toxic carbon tetrachloride in magnetic magnifiers from the early days of videotape are a thing of the past. today, "cuts" are non-destructive and can be altered at will (sometimes all too often). But the whole thing has one disadvantage .....
Avid does not care whether cameras can even keep up yet: The new version of Media Composer already handles 16K and is getting a head start on the future.
PhraseFind and ScriptSync reappeared in revised form with the release of Media Composer version 8.8, but unfortunately are not firmly integrated as features.
New year—more focus topics: in issue 02:17, we take a closer look at the current hype topics AR & VR and explain what lies behind them and where the technology journey can go. Our second focus will make the hearts of Mograph artists beat faster.
The day after tomorrow, we'll finally get to see the animago and still trailers at this year's animago AWARD ceremony. The two trailers were realised this year by student Thomas Richter from the SAE Institute.
Update 8.6 for Media Composer brings several new features, such as ingesting new files through a single window, as well as further functions for audio editing.
In an article at Pro Video Coalition, senior editor Kevin P McAuliffe explains why Autodesk Smoke 2015 might be worth a look as an alternative editing tool.
As a senior editor, Kevin P McAuliffe has extensive Media Composer experience. In a tutorial, he explains transitions, the 3D Warp tool and matte keys, among other things.
The new Media Composer 6 takes the stage – through mid-November, the focus is on new workflow tools, expanded round-tripping and even more integration into existing Avid tools.
Avid has updated its flagship products – Media Composer is now 5.5, NewsCutter already 9.5 and Symphony has also reached version 5.5. Among other things, more hardware is supported and more networked workflows with new formats are possible.
There is a large gap between Media Composer and Pinnacle in Avid’s line-up. This is now to be filled with Avid Studio, a Premiere Elements competitor at an aggressive price with a substantial range of functions.
In spring, innovations for the audio, film and video industries sprout at Musikmesse and the NAB Show. Avid’s broad product portfolio offers numerous new products. Leading the way was the presentation of the new generation of Avid Media Composer, Symphony and NewsCutter products.
Many awards for creative excellence by Avid customers. “30 Rock,” “Breaking Bad,” “South Park,” “Project Runway” and “Weeds” received the prestigious award
Media Composer 3.5, Symphony 3.5 and NewsCutter 7.5 add native Sony XDCAM support, a stereoscopic 3D workflow and software activation without a dongle.
Media Logic Gesellschaft für Mediensysteme mbH has commissioned Deutsche Welle TV's new audio postproduction studio in Berlin. The delivery included a compact Digidesign ICON console with an associated Pro Tools system.
Young filmmakers and Avid form a powerful combination at the Berlinale: as in previous years, Avid is once again supporting young filmmaking talent at the 2008 Berlinale Talent Campus through a series of interesting workshops.
Avid provides information about the latest and familiar technologies, formats and strategies. Complete workgroup solutions around Avid Interplay for broadcast and postproduction, high-end finishing with DS Nitris and Symphony Nitris, shared storage, media management and broadcast with Avid Unity ISIS, LANshare LP, Deko and, of course, postproduction with Avid Media Composer Adrenaline HD, Liquid, Xpress Pro and Xpress Studio HD will be shown. The event takes place at the Kultur- und Kongresszentrum Jahrhunderthalle, Pfaffenwiese, 65929 Frankfurt/Main from 10:00 to 19:00.
Alongside a hands-on area, introductory workshops on Avid Liquid, HDV and colour correction with Avid Xpress Pro will also be offered. DigiTV is standing by with a fully equipped nonlinear editing vehicle.
Advance registrations requested at www.avid.de/events/realityTour. Registrations for the workshops take place on site. The event is free of charge.
Avid presents its new products from NAB 2006 at the Munich Film Festival 2006. On July 17 at 3.30 p.m., a panel discussion on the topic "Animation everywhere: Visual Effects in Film and Television" will take place here together with MedienCampus Bayern. Participants in the discussion are Michael Coldewey of Trixter, Michael Dalock-Schmidt of Avid Technology, Thomas Repp of BAF, Gabriele M. Walther of Caligari Film and Prof. Peter C. Slansky of the University of Television and Film Munich. Afterward, at 5:15 p.m., Avid invites visitors to the Avid Xpress Studio demonstration in the Blackbox, where users will also report on their experiences with Avid solutions in everyday production.
Avid is also active in cooperation with its dealers DVE and Videocation at the "Digital Cinematography" event, which takes place on Museum Island as part of the Munich Film Festival. On July 21, DVE presents the Avid Media Composer family and offers interested parties practical insights into the current version Avid Liquid 7.0 in workshops. At the same time, Videocation presents Avid Symphony Nitris and Avid DS Nitris and conducts Avid Xpress Studio workshops. Both workshops are aimed at post-production professionals. In addition, "Digital Cinematography" offers visitors numerous technical seminars and screenings of HD films from the regional film industry.
FAST development executive Ali Adelstein explained the open-format design, interface, colour tools and network workflow behind the blue editing system.