On Saturday, the 2013 Commercial Film Award was presented in 15 categories. Filmaka dominated the young talent category. Polynoid won with its Nike spot.
There will be something on December 5: The Foundry is presenting Nuke version 8 in a live event—including live demos from Framestore, Digital Domain and Encore Hollywood.
4K with no end in sight—at the beginning of 2014, Canon will release the first reference monitor for 4K resolution with 4,096 x 2560 pixels on a 30-inch LCD display.
Version numbers 9, 10 or 11 are a thing of the past. With the new version, e-on software also introduces new names: Vue 2014 xStream and Vue 2014 Infinite.
It has been over a year since we reported on the launch of Apertus's open-source 4K camera Axiom Alpha—now the community has published its first RAW images.
"Ender's Game" is not only a film adaptation of Orson Scott Card's science-fiction book classic, but also a project crucial to the future of Digital Domain.
The new version 7.1 of Adobe SpeedGrade CC includes the SpeedLooks preset package, including Camera Patches from LookLabs, as well as several other features.
The animago jury showed good instincts: "Mr Hublot", which received an animago AWARD this year, is on the preliminary selection list for an Oscar for best animated short film.
The slow-motion tool Twixtor has been released for Adobe After Effects and Premiere Pro in version 6. GPU support is intended to provide significantly faster calculation.
The new Blackmagic Pocket Cinema Camera has an operating time of around one hour. Accessory manufacturers such as Switronix are now offering several add-on accessories.
The Content Aware Fill Tool has existed in Adobe Photoshop since version CS5. It also enables amusing options for moving images, as this example shows.
The VLC open-source community is one of the first to integrate the new H.265 video codec, also known as HEVC, into its development branch for the new player version.
At Video Copilot, from today there are no Disney airplanes with amusing googly eyes, but realistic-looking 3D models—the Jetstrike model pack has been released.
Barcelona's Big Lazy Robot wants to live out its creativity with the "Keloid" project without constraints. The studio has now released a sensational new trailer for it.
The FilmConvert plug-in is intended to give digital film footage the good old analog-film look again. The utility tool has now received a major update.
Studio Bot & Dolly is a specialist when it comes to robotics and motion control in filmmaking. Its short film "Box" shows the company's high technical level.
The Academy Color Encoding System promises to become an important standard in film postproduction. A seminar in Utrecht helps with getting started on the subject.
Mike Kuhn, 3ds Max author for Digital Production and Certified Instructor, shows alternative ways to reach the goal quickly. The fourth lesson is all about box mapping.
IBC is currently taking place in Amsterdam—Autodesk is presenting the 2014 version of its Flame Premium VFX and finishing software there with its new capabilities and features.
Andrew Kramer has published a making-of clip about the main titles of "Star Trek Into Darkness". He shows how he pushed Element 3D to the limits of space.
Blackmagic Design has addressed the sensor-blooming problem with the Pocket Cinema Camera—the solution is said to be software recalibration performed by BMD support.
The golden Trickstars will once again be presented at the Stuttgart International Festival of Animated Film next April. Entries can already be submitted.
Education pays off—"Monsters University" has proved to be a lucrative film project for Pixar and Disney. Box-office receipts have broken the 700-million-dollar mark.
Assimilate, the makers of Scratch, are now introducing a new tool: the free multi-format player Scratch. It handles RAW formats from a wide variety of cameras, web formats and image formats—practically everything needed in the VFX workflow—and its playback is based on CONstruct technology.
Now there are even teasers for showreels. All right. Here is a brief (!) insight into what 67 companies in 25 countries are doing with V-Ray. All five showreels are expected to be online soon.
Konstantin Gaytandzhiev of Chaos Group provides an insight into the V-Ray realtime rendering engine on a 5-GPU 3DBOXX 8950 workstation, including integration into the Maya viewport. With a brief (!) outlook on V-Ray 3.0.
Autodesk has announced the 3ds Max 2014 Extension: One of the main features is Point Cloud Support, which offers new, interesting possibilities for real-world references.
Sony has made an update to its upgrade roadmap: Not only the F55 but also the F5 is intended to receive a 2K RAW slow-motion recording capability at 240 fps.
Not retro, but Vintage Paper Textures: Andrew Kramer may not impress any hipsters with them, but certainly many artists, because they are free and in 4K.
Motorola's new Moto X smartphone is currently making the press rounds. It is said to record in 4K resolution, although the phone is initially available only in the USA.
The nonlinear video-editing solution targets editors in fast-paced broadcast news and data-intensive post-production environments. Version 7 brings several improvements.
Australian company Blackmagic Design has reduced the price of its long-awaited camera to 1,995 US dollars, which will certainly attract attention again.
The Oregon company had been working on BulletProof for a long time. The software is now available and is intended to close the workflow gap between cinematographer and editor.
The new version is available to every registered user: mocha AE v3.2 and mocha Pro v3.2. Imagineer Systems particularly highlights improved international character and keyboard support.
Bad Hair Day? The Dynamic Hair Manipulation in Images and Videos algorithm presented at Siggraph is intended to allow hairstyles to be manipulated selectively.
According to Isotropix, the celebration can continue. At the end of Siggraph, it was announced that the Anniversary Pack would remain available for another month.