125 shots, six episodes, and a two-person team. VFX lead Tobias Kummer explained how Overmind Studios delivered geographic transformations, period cleanup, atmospherics, and a nuclear blast for A World Divided, built on disciplined templating and automation in Fusion.
Boris FX expands its Suite with three full DAWs (Sequoia, Samplitude, and Music Studio) adding professional audio production, mastering, and music creation tools to its postproduction ecosystem.
No more desk spaghetti: Sonnet’s xMac mini (2024+) mounts up to two Mac minis in a 2U rack, adds PCIe via Thunderbolt, and finally brings order to your studio.
Everything used to be better - that's nonsense, of course. But nostalgia also has its very own charm. And so we want to take a look back at the supposedly good old days in a magazine that usually keeps its eyes curiously open to the future. Completely subjective, beautifully coloured and deliberately seen through rose-tinted glasses.
Isn't it time to say goodbye to old workflows? And put the hype surrounding AI to good use? Instead of breathless marketeer newsletters that nobody reads anyway, there are also useful applications - for example Cara One.
Review: In DP 05 : 2013 we learnt Klingon: "Cut with Avid" is called "Maljaʼ tayʼ Avid". J. J. Abrams made the sequel to the reboot - could Starship Enterprise nostalgics and blockbuster fans be satisfied at the same time?
In the context of the current coronavirus situation, several software providers are now offering their tools free of charge for a limited period – including Adobe, Foundry, Autodesk and Avid.
After several years of film editing and constant discussions about film dramaturgy and visual language, what is needed, what is not, even more intensively, but differently, much more clearly, I decided to invest this knowledge in my first directorial work.
The ifs internationale filmschule köln is an artistically and academically orientated training and further education institution for media professionals. On the initiative of the NRW state government and the Film- und Medienstiftung NRW, it was founded in 2000 as a non-profit limited company whose sole shareholder is the Film- und Medienstiftung. Its reputation as one of the best film schools in Germany is based in particular on the support it provides to students, its teaching and project work and not least on numerous awards, including a student Oscar. One project we found great is "The Colour", based on a Lovecraftian short story - and we ask the students how they came up with it and what it's like to study at the ifs.
Non-linear video editing with computers (NLE for short) has given us enormous freedom. Not only the fiddling with adhesive presses and cotton gloves, synchronised tape machines or even toxic carbon tetrachloride in magnetic magnifiers from the early days of videotape are a thing of the past. today, "cuts" are non-destructive and can be altered at will (sometimes all too often). But the whole thing has one disadvantage .....
Avid does not care whether cameras can even keep up yet: The new version of Media Composer already handles 16K and is getting a head start on the future.
To demonstrate the features of the new Panasonic 4K HDR display, the "Hollywood to your Home" advert shows four scenes in the style of classic Hollywood genres. The project was the first of the Directors Duo that we realised in cooperation with Framestore Pictures.
The next version of Fusion is coming: Freshly announced at SIGGRAPH, Fusion number 9 is already available to download. And the best part? The unlimited Studio version costs 300 dollars – making Fusion the most affordable ProRes transcoder with a VR toolbox and super tracker of them all.
Why calibrate monitors? Our most important tool in the production of media content is the monitor, as a control tool in the first instance of production via the reference monitor in post-production during finishing and as a presentation tool in the final use of the content.
PhraseFind and ScriptSync reappeared in revised form with the release of Media Composer version 8.8, but unfortunately are not firmly integrated as features.
Sound is an essential component for an immersive experience in VR worlds. With G'Audio Works, a plug-in for Pro Tools is now available that supports the creation of VR sound.
The day after tomorrow, we'll finally get to see the animago and still trailers at this year's animago AWARD ceremony. The two trailers were realised this year by student Thomas Richter from the SAE Institute.
Now that Genarts, Boris FX and Imagneer Systemes have merged, there is also an immediate update to Sapphire - in OFX format, for most relevant programs.
Update 8.6 for Media Composer brings several new features, such as ingesting new files through a single window, as well as further functions for audio editing.
We already began 2015 with a major anniversary, the 100th issue of DP. There was a large gift basket for the occasion, which is now being divided among the winners.
Avid announced new licensing and usage options at NAB. The tools are now organized into the "Artist Suite", "Media Suite" and "Storage Suite" segments. This is accompanied by changes to the licensing model.
As a senior editor, Kevin P McAuliffe has extensive Media Composer experience. In a tutorial, he explains transitions, the 3D Warp tool and matte keys, among other things.
Practical overview for audio professionals: all shortcuts for operating Avid Pro Tools 10—leaving more room in your head for more important information and creativity.
After Avid did not bring its DS conforming tool to NAB 2013, it is now official: DS will not be developed further and will only be sold until the end of September.
Canadian software developer eyeon announces a further development of the eyeon Connection software. The update is intended to make it possible to connect Fusion and Dimension with AVID products via drag and drop.
The new Squeeze 8 software offers the possibility of encoding existing videos for all possible devices and formats—now with Avid DNxHD and Apple Pro Res.
The new Media Composer 6 takes the stage – through mid-November, the focus is on new workflow tools, expanded round-tripping and even more integration into existing Avid tools.
Avid has updated its flagship products – Media Composer is now 5.5, NewsCutter already 9.5 and Symphony has also reached version 5.5. Among other things, more hardware is supported and more networked workflows with new formats are possible.
There is a large gap between Media Composer and Pinnacle in Avid’s line-up. This is now to be filled with Avid Studio, a Premiere Elements competitor at an aggressive price with a substantial range of functions.
In spring, innovations for the audio, film and video industries sprout at Musikmesse and the NAB Show. Avid’s broad product portfolio offers numerous new products. Leading the way was the presentation of the new generation of Avid Media Composer, Symphony and NewsCutter products.
New Interplay product series enables media companies to increase the value of their assets, collaborate in more varied ways and gain enormous flexibility.
Avid appoints Paul Hennessy Vice President of Sales EMEA. He is responsible both for direct business with strategic customers and for retail and channel sales.
As part of the Avid Creation Tour 2010, the company will be presenting the full range of its music and video solutions in practical workshops from 15 to 25 February. The whole thing will be presented by the best music producers, sound engineers, live mixers, video editors and film sound mixers in the industry. In masterclasses and workshops, interested musicians, producers and video editors will learn first-hand how the professionals work in the studio with Pro Tools, Media Composer, VENUE or ICON.
As part of the Avid Creation Tour 2010, the company will be presenting the full range of its music and video solutions in practical workshops from 15 to 25 February. The whole thing will be presented by the best music producers, sound engineers, live mixers, video editors and film sound mixers in the industry. In masterclasses and workshops, interested musicians, producers and video editors will learn first-hand how the professionals work in the studio with Pro Tools, Media Composer, VENUE or ICON.
As part of the Avid Creation Tour 2010, the company will be presenting the full range of its music and video solutions in practical workshops from 15 to 25 February. The whole thing will be presented by the best music producers, sound engineers, live mixers, video editors and film sound mixers in the industry. In masterclasses and workshops, interested musicians, producers and video editors will learn first-hand how the professionals work in the studio with Pro Tools, Media Composer, VENUE or ICON.
As part of the Avid Creation Tour 2010, the company will be presenting the full range of its music and video solutions in practical workshops from 15 to 25 February. The whole thing will be presented by the best music producers, sound engineers, live mixers, video editors and film sound mixers in the industry. In masterclasses and workshops, interested musicians, producers and video editors will learn first-hand how the professionals work in the studio with Pro Tools, Media Composer, VENUE or ICON.
Avid today celebrates its fifth anniversary in the live-sound systems market. In 2005, Avid introduced the VENUE D-Show system and set new standards with studio-quality live recordings and crystal-clear sound. To celebrate this anniversary, Avid has a special offer for its customers: sound engineers can trade in their old analogue or digital mixing consoles for new VENUE systems with a discount of up to 20%.